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1. #HOW TO USE CHROMA SONY VEGAS 15 MOVIE#
2. #HOW TO USE CHROMA SONY VEGAS 15 FULL#
3. #HOW TO USE CHROMA SONY VEGAS 15 SOFTWARE#
4. #HOW TO USE CHROMA SONY VEGAS 15 FREE#

I wasn't belittling the CK that comes with Vegas. Having a green screen only lit by the ceiling fan light, and putting myself in front of it, I was able to completely remove the green carpet, with only a very little "green spill" on my shoulders. I must say, I am impressed by what can be achieved with the built in FX in Vegas.

First now I start to adjust the HIgh and Low treshhold sliders. Move the RGB controls back and forth, until as much is achieved as possible (carpet as black as possible, foreground as white as possible Use the eyedropper and select a suitable portion of of the green carpet. Add a Chroma Blur FX, set it to maximum values (4000) On of my mistakes was to use the eyedropper and not fine tune the RGB values afterwards. I have experimented with the built in Chroma Keyer in Vegas, and have found out that it is way better than what I thought. Secondly, for certain the chroma keyer in Vegas is just a basic keyer, more money buys you better tools. Steve Fallon Posts: 504 Joined: Wed 6:29 pm They can afford to employ people with specialised skills. I think that's where the big budget productions have a big head start on the rest of us. I have Keylight and it is very capable, much more capable than I am. No doubt the people doing visual fxs for the big budget movies have been using the same tools for a long time, they know which one of the zillion sliders to tweak and how they all interact.

#HOW TO USE CHROMA SONY VEGAS 15 FULL#

Having the good tools is one thing, acquiring the skills to use them to their full potential is quite another. Lastly and from my experience most importantly. I don't have the experience to say for certain how much each one of these helps but the combination has got to make for a big difference. Scanned film has more resolution, more chroma samples and a bigger color gamut. Also with better tools you can use a keyer to create a bezier mask, then you can tweak that.

#HOW TO USE CHROMA SONY VEGAS 15 FREE#

Keylight that comes free with AE is pretty good but there seem to be better. When it doesn't move you don't need a key, just a mask. Also keep in mind that a lot of the keying done for movies is for set extension.

I don't just mean adjusting the keyer I mean manually fixing what it can achieve e.g. Ross Thomas Posts: 498 Joined: Fri 6:06 pmįor starters what you don't see is how much work goes into getting those keys tweaked in post.

#HOW TO USE CHROMA SONY VEGAS 15 SOFTWARE#

Should I use a "green blanket" especially designed for this purpose?Īnd does more efficient software exist, that does the job better than the Vegas built in Chroma Keyer? Question is: Is this a game for professionals only, using mega expensive gear, or can it be achieved by amateurs like me, too? Oh yeah, I can tune the chroma key, but then other "interesting" things start to happen, the edges around my face get dissolved, parts of my clothing (I wear no green clothes!) start to disappear as well. Problem is, while I can make the chroma key trigger on a relatively flat portion of the blanket, evenly lit, any other portion of the blanket that has a fold, has a little shadow, will not work. I want to replace the background with my own stock shots, from a street the last summer, in a city, in another country - far away. I put a green blanket on the wall, and stand in front of it myself, speaking.

#HOW TO USE CHROMA SONY VEGAS 15 MOVIE#

Here they carelessly throw green blankets everywhere where they want the background to be replaced, and in the final movie the green blankets are replaced by another picture, no antialiasing problems, no visible borders - it just looks great. I watched the background documentaries on LOTR.